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| Registration and Orientation, University Place Hotel, Reservation Lobby |
| Platform International Animation Festival: Short Film Competition 5, PCPA |
| Platform International Animation Festival: Animated Installations Tour, PNCA |
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| Registration and Orientation |
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| Welcome—Barbara Sestak, Dean, School of Fine and Performing Arts, Portland State University |
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| Animation Universe Keynote Address—Dan McLaughlin, MFA Program in Animation, UCLA |
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| Refreshment Break |
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| Animation Universe Panel—Pervasive Animation: From Mobile Telephony to Gallery Installation |
| Panel Chair: Dr. Suzanne Buchan, University for the Creative Arts, Farnham, UK |
| Panelists: |
| Dr. Paul Ward, Arts Institute at Bournemouth, UK |
| Bob Rehak, Swarthmore College, USA |
| Dr. Karin Wehn, University of Leipzig, Germany |
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| Introduction: Maureen Furniss, CalArts, USA |
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| Lunch Break |
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| Presenters' Prep Session (test and practice your presentation) |
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| Platform International Animation Festival Events (See Platform Event Schedule for locations.) |
| Newmark Theater, Antoinette Hatfield Hall, located at 1111 SW Broadway (at Main). |
| Princess Iron Fan (Screening) |
| Competition Program 6 |
| Robbie Cooper Presentation (PAC) |
| Snow White and The Seven Dwarfs (Screening) |
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| Winningstad Theater, Antoinette Hatfield Hall, located at 1111 SW Broadway (at Main). |
| Basil Wolverton (Panel) |
| Student Showcase 1 |
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| Whitsell Auditorium, Portland Art Museum, 1219 SW Park Avenue |
| Sita Sings the Blues: Screening & presentation by Nina Paley |
| Animate! Extending the Imagination 2 (Screening and panel) |
| Princess Iron Fan (Repeat) |
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| 5th & Couch Street PARTY, at NW 5th Avenue and Couch Street. |
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| Animation Universe—Session One Papers: Histories |
| Discussion Moderator: Hua Wang, Nagoya University, Japan |
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| Animating The Inanimate And Making It Sing: The Genesis Of A Hollywood Cartoon Genre—Richard Leskovsky, University of Illinois at Urbana-Champaign, USA |
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| The Two Golden Ages of Animated Music Video—Gunnar Strøm, Volda University College, Norway |
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| The Movie Brat Generation and the Animation Renaissance—Harvey Deneroff, Savannah College of Art and Design, USA |
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| Glory Box Folksonomies—Immanence and Martyrdom in Modern Animation—Amalia Levari, CalArts, USA |
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| Refreshment Break |
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| Animation Universe—Session Two Papers: Works in the Making |
| Discussion Moderator: Luke Baldwin Dubin, Brock University, Canada |
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| "There is no place like Quickdraw, there is no place like Quickdraw": Calgary Alberta's Quickdraw Animation Society—Lynne Perras, University of Calgary, Canada |
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| Advertising and Animation Auteurism—Phil Anderson, Minneapolis College of Art and Design, USA |
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| Process And Product: A Pedagogical Praxis—Tony Tarantini, Sheridan Institute of Technology and Advanced Learning, Canada |
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| Lunch Break |
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| Animation Universe—Session Three Papers: Reading the Action |
| Discussion Moderator: Amalia Levari, CalArts, USA |
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| Spinning Pizzas and the Invisible Bus : ‘Event Analysis' in Animated Storytelling—Paul Wells, Loughborough University, UK |
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| The Use of Structuralism in Animation Analysis: Structural Relationships of Music and Images in Hayao Miyazaki's Spirited Away—Hua Wang, Nagoya University, Japan |
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| Half-Breed Dog, Half-Breed Film: Balto as Animelodrama—Amy Ratelle, Independent scholar, Canada |
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| Words, Gasps, and Beyond Articulation: Michaela Pavlatova's Erotic Universe—Miriam Harris, Unitec New Zealand |
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| Refreshment Break |
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| Animation Universe—Session Four Papers: Meaning within Movement |
| Discussion Moderator: Jeremy Schwartz, CalArts, USA |
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| Animated Cycles and Modern Life-Machines—Victoria Meng, Candidate of Philosophy, University of California, Los Angeles. USA |
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| The Uses and Abuses of Cartoon Style in Animation—Leslie Bishko, Emily Carr Institute of Art + Design + Media, Canada |
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| Lord of the Rotoscope—Ethan de Seife, Gettysburg College, USA |
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| Pixilation and the Uncanny—Jeremy Schwartz, CalArts, USA |
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| Platform International Animation Festival—Awards Ceremony |
| Platform International Animation Festival—Closing Party |
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| Animation Universe—Session Five Papers: Identity and Character |
| Discussion Moderator: Ethan de Seife, Gettysburg College, USA |
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| The Man in the Gray Flannel Cat Suit: Anthropomorphic Anxiety in Hanna-Barbera's ‘Tom & Jerry' Series, Michael Dow, Tisch School of the Arts at New York University, USA |
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| Masculinity, Isolation and Reassertion within Link and Bunnage's Modern Toss—Van Norris, School of Creative Arts, Film and Media, University of Portsmouth, UK |
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| Breaking Boundaries: the Representation of Fragmentary Identity in Japanese Animation—Caroline Ruddell, St Mary's College, University of Surrey, UK |
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| (The) Death (Of) The Animator, Or: The Felicity Of Felix, Part II: A Difficulty In The Path Of Animation Studies—Alan Cholodenko, University of Sydney, Australia |
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| Refreshment Break |
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| Animation Universe—Session Six Papers: Drawing from Art |
| Discussion Moderator: Charles daCosta, University College for the Creative Arts, Farnham, UK |
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| Early Connections Between Film and Emerging Media Theory as Evidenced in The Animated Worlds of Adam Beckett—Pamela Turner, Virginia Commonwealth University, USA |
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| The Double Sense Of Animation Innovative Storytelling Through The Ambiguity Of Animated Images—Maria Lorenzo, Polytechnic University of Valencia, Spain |
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| Animation in the Gallery: Between Artefact and Moving Image—Dr. Suzanne Buchan, University for the Creative Arts, Farnham, UK |
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| Lunch Break and SAS Business Meeting |
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| Animation Universe—Session Seven Papers: Technique and Style |
| Discussion Moderator: Maria Lorenzo, Polytechnic University of Valencia, Spain |
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| The Newly Developed Form of Ganime and Its Relation to Limited Animation for Adult in Japan—Sheuo Hui Gan, Ph.D Candidate, Kyoto University, Japan |
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| Little Chinese Dog—Lucy Childs, National Centre for Computer Animation, Bournemouth Media School, Bournemouth University, UK |
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| Composing Visual Music (with Digital Data)—Brian Evans, University of Alabama, USA |
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| Refreshment Break |
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| Animation Universe—Session Eight Papers: Interactions and Current Trends |
| Discussion Moderator: Brian Wells, Mindfulwhim Animation, USA |
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| Homestar Runner.net, It's Dotcom!"—Nichola Dobson, Independent scholar, UK |
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| Web Animation 2.0: The New Generation of Animation on the Internet, Dr. Karin Wehn, University of Leipzig, Germany |
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| Animated Appeal: A Survey Of Kids' Educational Software—Tom Klein, Loyola Marymount University, School of Film and Television, USA |
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| Conference Adjournment and Goodbyes |
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| SAS and Platform Closing Reception hosted by Pacific Northwest College of Art |
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| SAS and Platform Closing Panel—"Thinking the Visual: Seeing Narrative, Moving Boundaries" |
| Hosted with a generous grant from Pacific Northwest College of Art. |
| Panel Chair: Rose Bond, animator, PNCA, USA |
| Panelists: |
| Scott McLoud, comic artist, theorist, and author, USA |
| J.J. Sedelmier, animation director, USA |
| Paul Wells, author, Loughborough University, UK |
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| Animation Universe Intensive—Workshops for PSU Students |
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| The Animation Audience—Perception, Reception and Deception in Watching Animation—Paul Wells, Loughborough University, UK |
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| Lunch Break |
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| The Basic Principles of Animation—Brian Wells, Mindfulwhim Animation, USA |
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| Laban For Animators—Leslie Bishko, Emily Carr Institute of Art + Design + Media, Canada |
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| Animation Universe Intensive—Workshops for PSU Students |
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| Storyboards—Brian Wells, Mindfulwhim Animation, USA |
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| Lunch Break |
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| The Studio Method—Dana Driskel, University of California at Santa Barbara, USA |
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